11.23.09

What do the characters we hate say about us?

Posted in Fandom Tags: , , , , , , , , , , , , , , , , , at 9:25 am by reversethieves

This week we look at the characters we hate and once again ask you the readers decide if that it means anything about Narutaki and I. It is often said that what we hate the most in others in what we hate about ourselves. Does the fact extend to anime characters we hate? Do the characters that get under our skin the most provide some insight into our psyche? Does it tell us something different then what the characters we like or are they merely opposite sides of the same coin?

If there is one thing the internet has enough of, it is hate. Hate for shows, hate for people, and plenty of hate for characters. Unfortunately, we will be spreading such ire today. What would our former post be without its companion piece? However, I would like to point out this post isn’t about bad characters or poorly written development, it is about characters we dislike for inherent flaws in their personalities. I would even argue, if I can passionately oppose a character that means they are actually written rather fully. Once again we are trying to explore what, if anything, it means to dislike a character with such fervor. This, much differently from the previous post, can get a bit hairy and quite intense at times. But we will do our best to be respectful. Maybe.

Read the rest of this entry »

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02.09.09

Death in Anime, Who wants to live forever?

Posted in Anime Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , at 7:50 am by reversethieves

This is obviously going to be filled with spoilers. Series: Cowboy Bebop, Macross, Gundam, G Gundam, Gundam Wing, Gundam Seed, Gundam Seed Destiny, Gundam 00, Death Note, Gurren Lagann, Trigun, Nadesico, Full Metal Alchemist, Bleach, Magic Knight Rayearth, Berserk, Jojo’s Bizarre Adventure, Claymore, Evangelion, Eureka 7, Kekkaishi, Story of Saiunkoku, Rurouni Kenshin, Twelve Kingdoms.

Sometimes characters die in anime. Sometimes characters you have grown to love die in anime. Sometimes character you have grown to hate die as well. This was always one of the selling points people brought up on how Japanese cartoons were different than American cartoons. Anime was supposed to have greater maturity and greater suspense because anyone could die. People could tell that there was something different about Robotech when Roy Fokker died. People loved Roy and then he was gone. Roy was truly gone and it effected the viewers who were not used to it. But are such powerful deaths the norm or an anomaly in anime?

What I thought about anime when I first encountered it, among other things, was that it held an element of surprise. Knowing a character that you have traveled the length of a story with could be killed kept you on your toes. It is not wholly unknown in American entertainment, but at the same time they love to fake you out. Movies, television, and comic books love the affectionately named soap-opera death. It is used so frequently that I, along with countless others, can’t believe a character is gone without a body and even then sometimes they aren’t really gone! Anime does this too, however we have all actually seen them kill a favorite character at some point, it makes the odds different. And it honestly made me love and appreciate a good death scene. Heck, I look forward to such moments not because I want to see them go but because it can be a crowning moment for a character.

While I have to agree that many an anime is willing to kill off characters how effective it is can be another story. Sometimes when a character dies it can be shocking, heartbreaking, or even amazing. It makes the narrative more real and unpredictable. It is an organic part of the story that moves the audience with genuine emotion. Other times it’s nothing more than a cheap way of trying to manipulate the audience. Death in anime can be little else than killing someone as a crass attempt to pull at the heartstrings or to invoke sympathy for a character who never warranted any beforehand.

A good death hinges on good characterization. A character doesn’t have to be around for a long time in order to make you feel the weight of their demise. Some deaths can effect you on multiple levels as well. You yourself might feel a great sadness to see a character go or you might feel the resonance of their death to the characters left behind. But once again this is about creating a connection and a bond between the audience and the story. The ability to write a good death separates the boys from the men.

“You gotta carry that weight” hangs on the screen for a few seconds and then it sinks in that Spike is in fact dead. Spike’s death has a tremendous emotional resonance on the viewer and on the series itself. The whole series builds slowly builds to Spike’s final moments. Spike’s death is a classic scene of anime that in many ways defines how Cowboy Bebop is remembered. This a the perfect example of how to do a death in an anime correctly. It is hard hitting and poignant. It sticks with the viewer and enhances the show. Even if Spike’s death was preordained it is still quite resonate with the viewer.

Spike’s death was a crowning moment in storytelling. Even knowing everything you did watching up to that point, it was still an unbelievable few minutes. You thought, “No, he’ll get up.” You thought, “Someone will come at the last moment.” Or a number of other things. And then after you accepted it you really felt it. We were on a journey with Spike that ended with definite finality. Whether or not anime has no qualms with killing characters, it is still rare to see the death of the main character. It forces you to admit that the adventure is over. Cowboy Bebop was amazing for a lot of reasons not the least of which was the unforgettable loss of Spike Spiegel.

There are many categorizations of death, let’s take the mentor death like when Roy Fokker dies leaving behind his student to take up his mantle. Roy Fokker’s death is just as hard hitting. His forthright charm made him one of the most popular characters in the series because he was so easy going yet still so badass. His final meal that he never gets to taste of became a famous meme for the death of a character and even comes up in Macross Frontier. Will A. Zeppeli’s death in the Phantom Blood section of JoJo’s Bizarre Adventure was just as epic. He dies saving Jonathan Joestar going into the battle knowing that he was destined to die then but has no hesitation in doing so. He also gives his remaining life energy to Jonathan so he can defeat Dio Brando. He is one of the first well done noble sacrifices in a series know for both its high body count of named characters and quality deaths of main characters. The mentor character often has to die to let his student become his own man. It can also give the protagonist an even stronger reason to fight, be it for revenge or his desire to make his mentor proud.

The mentor death is universally popular, it can be seen in many places including Star Wars, Harry Potter, and The Lion King. It forces our young hero to embark on the journey with more responsibility than they may be ready for. Kamina’s death came as a shocking blow, to the cast and the viewer, in Gurren Lagann. He was a gung-ho, manly manic of energy! Not only did he constantly push everyone against the odds, he didn’t believe odds existed! And his death was made of manly passion. Kamina wore who he was on the outside and you couldn’t help but be fond of the guy. His death pushes Simon towards things they wouldn’t have occurred had he always been in Kamina’s shadow. Theresa’s death in Claymore seemed inevitable since we were in flashback mode, but nevertheless Theresa proved herself to be smart, resourceful, brave, powerful, and human in our brief stint with her. Everyone mourned her death as Clare did. So their deaths are tragic, and as the audience we may truly not want to see them go, but their sacrifices are essential to the movement of the hero.

There is also the death of the beloved side character. Kittan death is the other famous one from Gurren Lagann. His noble sacrifice recalls elements of Kamina’s death yet is its own noble passing. After his battle with Chapel, Wolfwood knows he is mortally wounded and goes in front of the alter to confess in his last moments. He tries to come to peace with his life but is unable to do so. I remember thinking that some sort of miracle would occur in the next episode and Wolfwood would somehow not be dead. To many viewers this was a much the climax of the series as Vash’s fight with Knives. Then there is Maes Hughes. He was a popular comedic character known for his over the top declarations of love for his wife and super-proud-love of his daughter. I remember reading on a forum about a girl being teased my her mother when she cried after Huges died. I also remember people saying they dropped Full Metal Alchemist after Hughes died.

A side character can be more than the sum of his screen time, they can come to mean just as much to the audience as their heroic counter-parts. Perhaps sometimes we see ourselves more in the side role or maybe they display lovable characteristics that the lead lacks. Whatever the case, many the mourning of a side character goes to show that the length of an acquaintance has little to do with the impact of it. Gai Daigoji is an incredibly well-known and still mentioned side character from a series that had a passing moment in the limelight, Martian Successor Nadesico. He had all the manly robot passion one could muster! He was us, the people who dream of piloting giant robots. And his death was surprising and sad. The utter massacre of the Band of the Hawk in Berserk was many things including disturbing, heart-wrenching, and unforgettable. Goodbye lovable Pippin, farewell good-natured Judeau, au voir Guts’ arm! Gen’s selfless demise in Kekkaishi came as quite a shock. The slow friendship between him and Yoshimori enhanced that and to him lose his friend so quickly was very hard. Gen wasn’t an easy guy to get along with but we had come to understand him and to accept him. Maybe we don’t feel destroyed at the thought of our own demise but to lose your best buddy, a comrade, brings many emotions to the surface.

Tomoe Yukishiro was only introduced in the first set of OAVs for Rurouni Kenshin after the TV series had ended but her death was powerful and a defining moment for Kenshin’s character. While her phony marriage to Kenshin had helped him regain much of his humanity, it was her death that solidified his vow never to kill again. We slowly get to know Tomoe and her secrets so that when she finally makes her sacrifice to save Kenshin it not only has the emotional impact of a character who feel for but also shows us why everything what lead up to the TV series. We see why Kenshin loved her and why her death had a profound effect on everything he does after that.

The death of a lover can be a catapult for a character to begin a journey whether it be of self-reflection or the pursuit of revenge. They are quite often heart-wrenching and sometimes senseless and as with any important death make us look back on what had come before it. Speaking of heart-wrenching Kaji’s death in Evangelion was just that. Not that Evangelion was much of an upper in the end. But his seemingly devil-may-care attitude made it all the more devastating. And when Misato listens to that phone call you want to fall apart in just the same way. Her pain was my own.

Even if they were villains I don’t think anyone who watched Eureka Seven was not effected by the deaths of Charles and Ray Beams. There deaths start the second half of Eureka Seven in a profoundly depressing and shocking way yet very effectively. After watching Renton bonds with Charles and Ray they essentially become his loving, goofy foster parents for several episodes. Their deaths are as powerful as the deaths of any protagonist in the show. Both Charles and Ray die in a gruesome manner. Despite them dying opposing the crew of the Gekkostate, you cannot help but feel for them. But it’s just like Holland says, there could have been no other way.

The death of a villain can mark the end of a series in a monumental way. In many instance we have followed the journey of the villain and learned about what makes them tick just as we have our warriors. It is possible to get just as attached to the antagonist and mourn them just as you would anyone else. While I thought the later half of the Magic Knight Rayearth anime had problems, Zagato’s death and reasoning behind his destruction of Cephiro is wonderfully tragic. A villain who can love deeply is very gray and his defeat makes you question which would you choose. A final battle is epic, it is what all the roads are leading to but sometimes it is hard to see the story end.

Gundam is famous for often being a bloody and brutal series. The original series director, Yoshiyuki Tomino, gained his nickname Kill ‘Em All partially due to his work on the original season. Tomino kills the two most popular characters in the Universal Century time line in their final battle. Considering how insanely popular Char and Amuro were this is no casual decision. He also killed off large percentages of the cast in almost every other Universal Century series. Characters could die heroically defending their ideals just as easily as dying pointlessly. The Gundam franchise has continued the tradition by making sure you never know when a character will die. Lockon’s death in Gundam 00 was so surprising because they faked you out. You assume in the back of your mind that he was protected because they would not kill him so soon after almost killing him. But two episodes later he dies. Lockon’s death was so powerful because he was easily the most likable of the Gundam meisters. Even the goofy G Gundam is able to turn the death of Domon’s traitorous mentor, Master Asia, into an epic manly death.

Gundam uses the many ranges of death from beloved side character to hero. Obviously they are killed with varying degrees of importance to the audience. Lockon’s death was a really difficult blow because you had to go through the anguish twice! They left you hanging just enough to believe he was dead the first go around, then when they finally kill him you think it is another fake out. In Gundam Seed, Mu La Flaga’s death was all the things it should have been. He went out defending the Archangel and a woman he loved. Mu was a minor character that made his way into the memories of the audience. Seeing his helmet floating there in space was sad indeed. Of course this awesome piece of emotional work was destroyed by reediting the footage and bringing him back in Gundam Seed Destiny. And who could forget the elegant villain from Gundam Wing, Treize Khushrenada. He was intelligent, clam, rational, and persuasive he could almost make you believe anything he said. He was also brilliant strategist and lethal in the combat. And he didn’t even die without having a hand in it. Gundam has made a business of giving us character deaths across the board and many to great effect.

Just as a epic death can make a series, a lame death can derail a series just as quickly. It can take what was supposed to be a dramatic scene and turn it into comedy. How many times have you seen this scenario? A character is introduced suddenly then we quickly learn a good deal about him unlike any other character we have previously met. Maybe we learn that he has family waiting for him or a pretty girlfriend. Then later in the episode he is killed usually in a major battle. This scenario is supposed to show the horrors of war or battle. I remember toastyfrog aka Jeremy Parish mentioning the perfect example of this back in the day. In Record of Lodoss War, Parn meets a random young soldier before a major battle between the forces of light and dark for the fate of the land. The young soldier tells Parn about his family at home and his young daughter who gave him a locket. After the bloody battle Parn finds the soldier’s body and the locket. We are supposed to feel horrible for this young man. Really you just see him as some random schulp who was destined to die the minute he whipped out the locket.

It became a running gag in Tower of Druaga. Random characters that started talking about getting married when they got home were going to the chopping block. The other version of this is to take a background or side character and suddenly start giving us way more story than ever before. In some attempt at making us connected to them and to make it seem like the creator isn’t afraid to rid the canvas of characters. These attempts are mostly transparent and completely forgettable until someone on a forum starts talking about how no one dies in such and such series. These are cheap ploys and they rarely work because connecting with a character isn’t simply knowing their back story. After experience really well done deaths, you start to pick up on poorly done ones.

One of the most recent famously hated deaths was L from Death Note. People who liked Light kept with the show but L fans were devastated. Many had been reading the series assuming/hoping that L was the main character. I know many a person who gave up on Death Note with the passing of L. Then again not killing anyone isn’t necessarily any better. A show where battles are supposed to be tense and exciting can be drained of their energy if there is no chance of death. Bleach is good example. How many people who were not minor allies or throwaway villains have actually died? With all the battles it seems like no one can bite it in Bleach. Momo looked like she was dead as a doornail when Aizen runs her through but it turns out that she was just merely seriously injured. Chad and Renji should both be taking dirt naps but are still around and Rukia is not much better. Also Tite Kubo keeps adding characters while not removing any leading to many characters not getting developed but still sticking around.

Shonen fighting shows are variable in their love of fake death and their willingness to actually kill characters. People in Saint Seiya are constantly getting punch in the heart, like through the skin and directly on the heart, but survive! Dragonball Z is notorious for characters dying 2, 3, 4 times and constantly being resurrected. On the other hand, Naruto seems perfectly willing to kill off the older generation. Maybe I like a good death because it ensures that the characters go out on a noteworthy, memorable scene instead of thinking they will fade into obscurity and die of old age one day. Does anyone really want to see a hero go out that way?

In the end what makes a good death and a bad death comes down to two factors. Did you ever really care about the character who is dying? And was their death significant to the story? If you never had any connection to the character then the death means nothing. People die everyday but it is so commonplace that you would go insane if you mourned for everyone who died in real life. In some series people die all the time. You can’t feel bad for everyone who dies in Legend of the Galactic Heroes. The creator’s hope is that you care about the few characters whose death is meaningful. No one wants those deaths top serve as plot filler or tedious melodrama. A valiant sacrifice or a brave last stand always works well. Dying to finish a mission or expend a little more energy to push something or someone else ahead can also be dramatically effective. Even a random seemingly pointless death can be strong if it is done in a way to support the narrative as opposed to exploiting it. It just has to be done for a higher reason.

Top 5 Characters I was glad to see die
5. Sivil (Macross 7), damn she is still alive. King of Kou (Twelve Kingdoms)
4. Rau Le Creuset (Gundam SEED)
3. Light Yagami/Misa Amane (Death Note)
2. Sakujun Sa (Story of Saiunkoku)
1. Flay Alister (Gundam SEED)

*When making comments, please use a spoiler alert with the name of the series you will be spoiling if we haven’t mentioned it in this post!

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10.12.08

“The most useless are those who never change through the years.”

Posted in Anime, Fandom, Manga Tags: , , , , , , at 7:26 am by reversethieves

Spoilers for Claymore manga and Gundam 00 season 1

Poor Raki from Claymore has fallen into this chasm of despisement along with Saji and Lousie from Gundam 00. There are surely more to be told of but these three have been on my radar of late. Oh, how short-sighted of you people!

Let us first examine the youth known as Raki. He is maybe 14-years-old when he and Clare first meet and start their wandering together. Clare sees a part of herself and who she once was in Raki and their bond becomes extremely important. What makes Raki so significant is that there isn’t a story without him. Clare would have awakened in just a few chapters and there would be nothing left. Even putting that aside, Clare’s character growth hinges on this boy. Really, Clare is not so interesting in the beginning. She starts to become an interesting, multi-dimensional character thanks to her continued interactions with Raki. Raki brings some of her humanity back to her. That humanity is what moves her to question what the Claymores purpose is and to find out the secrets of the Awakened. Raki is a young boy, who starts with zero experience with a sword, not to mention they are fighting demons that even Clare has trouble with. I cut the guy some slack! The writing was on the wall that Raki was going to grow up and be a warrior. He wants to be Clare’s equal at the very least and at most he wants to protect her like she protected him. Lo and behold he comes strutting into town in recent chapters tall and handsome with Claymore-like armor, a broadsword on his back, and some unaccounted for years. He dispatches a Yoma with surprising skill and ease. Rather a far cry from the defenseless boy we once knew. Take that haters!

Saji and Louise’s story was actually a highlight for me while watching the first season of Gundam 00. They were shown in almost every episode for varying periods of time, sometimes even for just a moment. I laughed and smiled watching these two young people dealing with such normal things like school, parents, and dating. It was desperately sad to see Louise lose her parents and be in the hospital with her own injuries; to see the anguish in Saji when he didn’t know what to do for her; and to see him give her that ring only to have her reach out with only one hand left. It was touching and moving, even thinking about it now. Theirs’ is the only story that is about civilians, how this war affects the common person. It was great to see such a different perspective because these two kids get pulled into something so much bigger than themselves. They are the innocent people that are tragically affect by all of the political war mongering and finally thrust into it themselves. This was a wonderful lead up to what promises to be an interesting tale. If Saji and Louise showed up for the first time at the beginning of the second season and we saw their background in quick flashback people would be calling BS all over the place. A lot of their history is tangentially related to the rest of the cast but it all just coming together now.

You have to give characters a background, a story, a life to grow from. If all of these people just appeared when they were finally “useful” they would have no significance to the audience. People would be calling foul left and right on them. I am certainly not saying that no character is useless, oh there are plenty, but I feel like people throw it around so much it splatters on everyone who isn’t a seinen hero! I enjoy those types of characters, don’t get me wrong, but I have a wide range of people I like to watch. So I think it is important to step back and look at the bigger picture. Their lives are connected and there are reasons they are appearing on our screens. I’m not saying you should like these characters (thought I do) but they are far from being useless in these stories.

Top 5 Minor characters who are awesome and useful
5. Mei Ling (Card Captor Sakura)
4. Ozma Lee (Macross Frontier)
3. Wataru Tachibana (Hayate the Combat Butler)
2. Ensei Ro (Story of Saiunkoku)
1. Urahara Kisuke (Bleach)

*title quoted from J.M. Barrie

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10.10.07

Claymore, no yuri scenes depite how much you want it.

Posted in Anime, Reviews Tags: , , , at 3:00 pm by reversethieves

The yoma food pyramid consists of one section, as opposed to the six sections of the human food pyramid. Unfortunately for humans, the sole section of the yoma food pyramid is labeled human organs.

In the Claymore universe, there are demons called yoma who are shape-shifters. They hunt humans by eating their victims brains and then using the memories they gain to impersonate the people they have eaten to infiltrate their victims communities. The yoma are also stronger and faster than humans and can regenerate as well as turn parts of their bodies into weapons.

An unnamed human organization has created a special breed of warriors to combat the yoma, they are called Claymores. The organization takes young women and creates half-human/half-yoma hybrids that gain a degree of a yoma’s strength, speed, and abilities. These hybrids then have silver hair and silver eyes making them easily distinguishable from normal humans. The appellation Claymore comes from the humans they protect not from the organization or the warriors themselves. People call them Claymores because they wield gigantic Claymore swords almost as big as they are.

What first attracted my interest was the female dominated cast, in powerful roles. In fact, men rarely show up at all, minus Raki, until the very end of the series. It’s rare that a clearly shonen show has an all woman cast and it is not fan-service central.

Well, there is somewhat of a non-Raki male presence before the end; there are those two church knights in episode 4. But the major purpose of the two church knights is to show that you can be an awesome human fighter and that you are still nowhere near the same level as even the weakest Claymore.

When Claire appears she seems to be a flawless killer. Claire is certainly a stoic character, and I almost mistook her for completely emotionless. But as the story goes on I believe this exterior is melted to some extent through her interactions with others. Also, it helps to give depth to her motivation to find out she is the lowest ranked warrior. I think it is worth pointing out that Claire does have many qualities that are typical of shonen male heroes. But as the story progresses and we see some of her back story, I felt I saw a woman.

I think the writer wants Claire to be a mystery in the beginning. He wants Claire to be the same enigma to the audience that most people see when they see a Claymore. In fact, the writer tries to go out of his way to make Claire seem like a monstrous killing machine in the first few episodes. Most people see the Claymores as emotionless monsters only a little better than the Yoma they hunt. Only as the series progresses do we slowly learn that Claire has feelings, inner conflicts, and personal goals and desires.

In fact, in the early episodes all the Claymores we see are rather emotionless and serious business like. It’s not really until Helen and Deneve do we start to see Claymore who are somewhat playful or personality filled even if it’s a definitely psychotic version of playful or personality filled.

I like that Claire is the weakest of the Claymores. She win fights more on learning and cleverly applying new techniques or using teamwork with other Claymores and their abilities, more than winning because she has a hidden, previously unknown, mysterious power that makes her super strong and lets her win due to brute force.

Raki is vulnerable yet determined and I think Claire sees a lot of herself in him. Unsurprisingly, he has a strong desire to protect his savior and works towards becoming stronger. He also brings the only fully-human sided perspective to the situation. As his race completely rejects and abandons him because his family was killed by Yoma.

Raki is the stereotypical shonen hero who wants to get more powerful to protect the ones he cares for. In most shonen anime Raki would the protagonist who would grow stronger with his hidden previously unknown mysterious power and Claire would either die or be surpassed by Raki. Although it has yet to happen in the manga I feel one day Raki might be able to fight along side Claire as an assistant and comrade but I don’t see him ever surpassing Claire and I find it unlikely he will be her equal. His role will always be support. At least that is my prediction.

Since Raki also appears in the first episode, it t is almost strange that he wasn’t the main character. I like that. I knew what Claymore had in store but for a split second those formulas came to mind. I am quite enjoying this string of shows that have both female and male protaginists that both grow. We also have to remember that Raki just decided to become strong right when we meet him, but Claire we really don’t have a sense of how much time has passed but it seems like a significant amount.

Raki’s other importance to the plot is to be the naive person who has how the world works so the audience learns how the world works as well.

I don’t think Raki has totally been rejected by humans in general. I think he was definitely abandoned and cast out by his home village but he had several chances to stop following Claire and just settle down in another town that does not know his family was killed by Yoma. Both Raki and Claire were abandoned by the people of the town they lived in and they both had chances to leave the people who saved them but stuck with them despite the fact that their lives would be far easier if they stopped following the person who saved them. It’s not like Raki has to follow Claire. He wants to. That’s an important distinction.

I loved the comradery that became a ongoing theme. In a series where everyone seems like a loner, this is a nice touch. It makes the characters more tangible to realize they need other people. The friendships you see can sometimes be unexpected in the situation everyone is in. But then maybe that is what makes these vital, a lot of these woman I assume “grew up” together if you can call it that. You truly see this between Deneve and Helen who appear later as friends. While we don’t get full back stories of anyone except Claire, there is a lot of things one can infer through the way characters deal with one another. The the group of half awakened beings that form a kinship are especially strong as a group who have a common bond.

I think that I like all of the interactions between the Claymores because besides comradery you also see a wide variety of different relationships between them. You have fierce rivals, friendly rivals, devoted companions, standoffish business relationships, bullies, mentors, subservient lap gods, loyal retainers, and more. It’s almost like two Claymores don’t interact with each other in the same way. It speaks a lot to how quickly and carefully the Claymores are developed in the series. Since a lot of the Claymores don’t last a long time it would be easy to simplify their characterization, but the writer takes the easy way out in that respect.

I also have to say that, as we both sort of hinted, Helen and Deneve have the most interesting relationship outside of Raki and Claire. They are characters that would easily be voted as characters most able to have their own spin off series. They have a close almost sisterly relationship while still being sort of messed up 6 ways until Sunday really makes them fascinating characters. I’m also sure that there are like 5 million yuri doujinshi of them only being surpassed by the 6 million doujinshi of them getting raped at the same time. Oh doujinshi. :(

I’m also surprised you did not mention Jeanne who I was pretty sure is a character you would marry (or at least make your BFF with benefits) if she were not a fictional character.

Well, this was the great thing, I thought it had a steller cast in general. I liked Claire, Raki, Helen, Deneve, Miria, Theresa, and Jeanne. Okay, but you’re right Jeanne was my dearest. Although she doesn’t show up till much later she brings honor and pride, without arrogance. Her sense of duty to those around her, especially Claire, bring real depth to her personality. And lets not forget her totally awesome ability.

Raki and Claire’s relationship brings me back to my point about seeing a woman in Claire through a sort of seemingly male figure. But I must admit, the turn it took between these two happily surprised me. It could have gone a number of ways, but I liked this route. I also felt like this could create a really dynamic interaction that is not often explored.

I feel that the change of the relationship is unexpected and interesting but not out of the blue. Their relationship was definitely always building and always growing so it’s not like anything was thrown in just to be thrown in because it was time for something to change. It also subtly changes both characters without being to subtle as to be almost no change in the characters or too bold as to be unrealistic and out of character.

The ending was pretty weak in my opinion but this doesn’t devalue the show for me. I felt like the Claire and Raki relationship, that I thought would be dynamic, just collapsed in on itself and it was just a role reversal.

Well the dynamic part of the relationship really falls apart when the stop using the manga as a guide and start making their own ending. I have a distinct feeling that the writers of the anime did not fully understand how Claire and Raki’s relationship worked so they fell back on the formula they already knew and just changed the roles.

I also feel the writers could only do so much with the ending of the series. Where the manga ends and anime basically ends is a very open ended part of the manga. It seems the writers wanted to put some sort of ending on the series because it does not look like will be getting a second season of Claymore. They basically had to pull together plot threads that were not together in the original manga to make some sort of resolution. That kind of abrupt patch job will always lead to a ending that is less than it should be. I think all in all it did what is set out to do. They wanted to get you wanting to read Claymore while being and be okay with the ending if you can’t read the manga.

There are a bunch of things I would have liked to have seen but we never got to see but I think a lot of them just have not come up in the manga so there was not much to be done about it. I would have liked to have seen how Claymores are made and trained. We have a vague idea of how it’s done but I’m sure there is something important about the processes and how it’s done. I would also like top know what the deal with the Claymore organization is. It seems that even the Claymores themselves have almost no idea how the organization works and they seem to have their own less than savory agenda. I would have also really liked to have seen more done with the Yoma’s ability to take on other people’s shape and how you can never know who is a yoma. I think that could have made some really interesting stories but they stop focusing on it after the first few episodes.

There are things I wanted to know, but I don’t fell like the series suffered from not telling us. In fact, being brief and vague can be good when done right. I like when the writer lets me infer things, make guesses , and come to my own conclusions about some things. But you are right, these are all things that haven’t been throughly explored in the manga yet either, so we will get our answers eventually.

I have to say, nothing has capture me in the same way as Berserk did, until this show came along. Although not quite as violent and gory, it is enough to satisfy. This show has a pretty large following if the Internet can be believed. But I personally doubt we will be seeing anymore animated productions of this series. I suspect it is very well loved among otaku and did well in its time slot, but not better than expected. I guess we will just have to wait and see what is on the table for the spring line-up. I also expect to see theis series licensed in the near future. In any case, I am definitely going to start reading the manga.

This show just finished up in Japan and also on the fan-sub circut. Now you can watch it straight through, we were watching week by week. It’s fairly easy to come by, too. I recommend the Eclipse translation. And don’t forget, if you like this show be sure to mention it at cons and write in saying you want it licensed!

UPDATE: Claymore is now licensed by Funimation!

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